Vtg 1930s Art Deco Sterling Silver Aquamarine Glass S 8 Ring

Description

Details
Excellent condition.
Fresh looking, soft wear is noticeable only on close inspection.
Silver setting has a bright patina with minimal surface wear.
Tiny misshapen spot at the back of the band
Band has some thinning at the back and was likely resized at some point.
Glass is gleaming with some surface wear and faceting is crisp.
Tiny bit of wear and chipping along the bottom edges of glass.
Size
8
Era                1930s
Diameter       Just under 1/2
”
Mark              See photo
Weight           4 grams
Material         Sterling silver, glass
Collector Note
Made by hand or in small groups of similar styles, vintage jewelry is individualistic with its own special history.
Prongs are incorporated into design, subtle and refined design detail.
Minimal setting emphasizes shimmering pool of color and light from central cabochon.
Openwork design brings maximum amount of light and refraction through ring.
Petite and moderate in silhouette, this ring has a light and minimal feel on your finger.
BackStory
On Glass Made to Simulate Gemstones.
Glass has long been used by jewelers to simulate natural gemstones. For instance, during the Georgian era, black dot paste is a term that refers to a style of glass that was made to simulate the sparkle of natural diamonds. But in the 1940s, the use of glass to simulate gemstones ramped up more than ever before. World War II constrained both fine materials and pocketbooks, so more and more designers (including high-end designers) focused on glass to re-create the distinctive properties of different gems. High-end designers thus began making costume glass jewelry - but with the same attention to detail, high craftsmanship, and design skill that was applied to fine jewelry.
On Art Deco.
Art Deco is one of the first truly international styles, that influenced the design of buildings, furniture, fashion and of course, jewelry. The movement was given a name from the international exposition of Arts Decoratifs et Industriels Modernes, that was held in Paris in 1925 and largely dedicated to the jewelry arts. Born out of ideas of modernism and the Industrial Age, this manifested into designs that used Cubism’s bold abstraction and rectilinear shapes and combined them with intricate patterning, bold color and symmetry. High-end jewelry design houses like Cartier and Boucheron set the trends in gold and gemstones, which were then emulated by costume jewelry companies in glass or perhaps plastics, and brought to the masses.
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_gsrx_vers_1292 (GS 8.3.6 (1292))